This V76 microphone preamplifier has up to 76 dB of gain. The original design combined a input pad with a gain switch, but this lacks flexibility and would not work well with a DI. This build splits the pad to a separate switch (matching the origina
       
     
 Based on the RCA BA-2 preamplifier, this build has up to 50 dB of gain. Built with an original set of transformers and two 1620 tubes, which are a low noise 6J7. It is a simple, but beautiful sounding microphone preamplifier.
       
     
 The Neve 33609 is a diode bridge compressor. A matched bridge of diodes attenuate the signal based on a control voltage. It is a masterpiece of design.
       
     
 The 990 discrete opamp (DOA) designed by Deane Jensen, operating as a microphone preamplifier. A stepped gain switch up to 70 dB. This build has 8 channels packed into a 2U case.
       
     
 The Neve microphone preamplifier 1290 was the same circuit found in the legendary 1081 & 1073 channel strips. This build adds the HPF from the 1073, to cut low frequencies during tracking, when necessary.
       
     
 This mic build is based on ideas from the legendary Neumann U47, but differs significantly. It retains the tube bias method that avoids a cathode bypass cap and routes the heater current through the cathode resistor to stiffen the response. The tube
       
     
 This build is a clone of the Trident A-Range console strip. It is a mic preamp or line amp followed by a 6 channel EQ: 4 mid bands and high and low shelves.
       
     
 These tube DIs are inspired by the REDDI. They use a Russian Triode tube transformer coupled to the output. The output transformer was wound by CJ (at groupdiy) and is a spectacular sounding transformer. The close proximity of the power and output t
       
     
 This mic pair is based on the ELAM251 circuit, but instead of the edge-terminated C12 style capsule, these use center-terminated U47 style capsules.
       
     
 A tube amp built on a salvaged organ chassis with a pine wood case. The amp design is inspired by the Fender Princeton Reverb, including the blackface reverb and the Princeton Tremolo that modulates the power tube bias.
       
     
 This amp build follows the 5F6A schematic, which was borrowed by Jim Marshall for the JTM-45 circuit. Blackface reverb is added with the control knob on the back panel. The quad of 6L6 power tubes drive a vintage ‘60s Twin Reverb output transformer,
       
     
 Several passive transformer boxes: a dual Western Electric 111C, a UTC O-10 Reamp, a Triad A10J, and a sandcast UTC LS-10.
       
     
 The LA2A Compressor is a tube levelling amplifier with an optical gain control unit.